I Love LA! (and other Friday News)

I just want to thank everyone who attended the kick-off of my nationwide Lightroom Tour Live this past Wednesday at the Los Angeles Convention Center (all 800 of you!). I met so many wonderful people, I learned a lot, I saw some old friends and made some new ones. I posted a few photos above (taken by my buddy Dave Moser—you can click on them for a larger view. The top photo was taken during the live bridal shoot that starts the day, then we take those live shots into Lightroom and follow a step-by-step workflow that ends with the final prints coming off an Epson Stylus Pro 3800 right there in the class). Anyway, I just wanted to thank you all for spending the day with me—I really had a blast and greatly appreciate the wonderful support.
The next stop on my Lightroom Tour is at Boston’s Hynes Convention Center on May 21st, but our seating is much more limited than it was in Los Angeles, so if you’d like to join me, sign up today at PhotoshopSeminars.com. I hope to see you in Boston!
Note: I just saw a comment posted here on my blog, with a link to a review of my seminar at ChromaticSoul, written by one of the attendees. Here’s the direct link.
- If you’re into video Podcasts, I was just turned on to one that really speaks to the tech-freak deep inside us all. It’s USA Today’s “Talking Tech.” This free weekly show and is hosted by tech guru Jefferson Graham (who happens to be a Photoshop fan), and Ed Baig, who do a great job of keeping you (us, we, me, etc.) up on all the latest tech gear without getting “tech geeky” at all. What I like best about the show is their format; it’s casual (the current episode was filmed outside an Apple store), fun, and refreshingly “plain English” for a tech show. Plus, their shows are short, sweet, and right to the point. Definitely check it out (you can watch right from within Apple’s iTunes [for PC and Mac], and you can subscribe and get it downloaded weekly for free. Highly recommended. Click here for the link).
- Here’s another photo retouching site (this one from Russia), that features before/after retouching shots, and as always I just find these so interesting. It’s great way to see what is being done in retouching, what can be done, and each retoucher definitely has his/her own style, and that makes it all the more interesting. This one’s called Touch of Glamor, and here’s the link.
- Last week I mentioned that my Photoshop TV co-host Dave Cross has a Photoshop training class coming up at the Digital Technology Centre in Sarasota, Florida on May 19th, and now my other co-host Matt Kloskowski, is bringing a day of hands-on training on Photoshop Layers for Digital Photographers. These are very intimate classes (which means at some point, Matt will probably take his shirt off), so if you want to attend, follow this link to snag one of the few available seats (these classes are limited to 18 participants), for either Dave or Matt’s workshop. By the way; I’ve taught the Digital Technology Centre, and it is an absolute first-class operation, and they always have the very best instructors (and of course, if you’ve ever caught Dave or Matt live, you know you’re in for something very special from these two gifted Photoshop instructors).
- The photography blog “Pixelated Image” (from photographer David duChemin) did a mini-review of my new Lightroom Book, after reading just the first chapter, and although it includes what is certainly not the most flattering comments about my somewhat different sense of humor, he does a great job of really capturing the flavor of the book, and how it’s put together. Follow this link to read it online. While you’re there be sure to check out this wonderful photography here).By the way; he does have a point about my humor—you either like it, or you hate it. Thankfully I get hundreds of very kind letters from people who totally get my sense of humor, but if you don’t like my style of humor, then apparently you really, really, really don’t like it (and generally want to see me dead).Here’s the thing: the whole book does NOT contain this humor; it’s pretty much contained to just two places: (1) The book’s 3-page introduction, and (2) The opening page of each chapter. That’s it. The rest of the book (as I mention in the introduction), is step-by-step (Step One: do this, Step two: do that), so there’s not really a lot of opportunities to inject any other stuff. I do keep it light and conversational, but again; my “stream of consciousness” style of humor (as my Editor and friend Chris Main likes to call it) is pretty much confined to those two places, so out of a 416 page book, it’s three pages for the intro, and then 1 page each for 10 or 11 chapters (so we’re talking 14 pages of fun, 406 pages of Step one, step two, and so on).Now, here’s something else you might find helpful; we know (from publishing so many books), that the vast majority of people skip over a book’s introduction, and jump right to the first chapter. That’s particularly bad for me (and my readers), because that’s where I explain how to use the book, where to download the accompanying practice files, and lots of other stuff that they need to know to make the most of the book. So, to trick people into reading the introduction, I usually disguise it as something else (like, in this book for example, I call it the “Unexpected Q&A Section” so people read it, thinking it’s not the Introduction. Since it’s not step-by-step, I have fun with it, and I do include some, well….off the wall stuff, but along with it, are valuable instructions on how to make the most of the book.
So, yes—in each book I try and trick people into reading my introduction (sometimes referred to as “my non-introduction introductions”), but it’s only to help my readers get more out of the book. Plus, as an author, after you’ve written 402 pages of Step one, Step two, and so on, even I need a break to say something silly, and hopefully make you smile a little while you’re learning.
- I found this link on Anne Marie Conception’s excellent “Design Geek” email newsletter, and it’s to a site who has designed a really nice looking set of CS3 replacement icons for you to download. Also on Anne Marie’s newsletter, was a link to a really cool Flash-based graphic showing all the icons for all the new Adobe products, and it’s just so darn cool.You’ve got to check it out (it only takes a moment).
- My buddy Terry White’s excellent Tech Blog has moved to new digs: get on board at his new address: terrywhite.com/techblog



















Scott,
Glad to hear LA went well and I’m encouraged to see Boston, Atlanta and New York on the list, but how soon will a Chicago date be announced?
Thanks and safe travels.
Hi Charlie:
We’re working on dates for New York, Chicago, San Francisco, Denver, Either Tampa/Orlando, and Dallas, among others. As soon as we’ve got them locked down, I’ll post them here on the blog as well. I hope to see you when we’re in Chicago! (make sure you come up and say hi, Charlie).
-Scott
Scott
Thanks for LA – it was inspiring and very informative. Is there any way to add the “droplet” function that you showed us (as it it used with LightRoom) to the pdf?
Thnaks so much
Terry
Scott – I bought your Lightroom book at Photoshop World and have to say that I love it…I love the humor! A lot of books tend to be dry and boring…I’m not finished with it yet but I’ve learned a ton and glad I bought it. Keep up the good work!
Lightroom, by the way, is absolutely incredible. My fiancé came back from his last job with 1200 photos…it took us four hours to process, keyword, caption, sharpen, color correct and export over 300 hundred of them. In Photoshop, this normally would have taken us at least two afternoons…
1) The PDF Download in “Scott’s Gear Guide”, from Lightroom Live in LA, did not include the Name/Mfr/Model/Dealer of the portable table (+/- $154) used to set the Laptop on next to the Tri-pod, as seen on photo at bottom of page 67 in the workbook. Please provide this information.
2) Re: Printing B&W – Split Tone/Duotone: In Traditional B&W Darkroom Printing, Agfa Papers are “Warm Toned”, compared to Oriental Seagal papers that are “Cool/Neutral” Toned. Hypo Clear with RAPID SELENIUM Toner chrispens the blacks, while providing an “Almost Purplish” Cast. Inkjet Blacks are either Matte or Gloss. I am interested in re-creating the warm tones with purplish cast using a print at the side of my monitor to judge the “Color” corrections necessary to do this. I forgot to ask – Would making this adjustment be better done in a) Lightroom Duotone/Split Tone, b) Photoshoip, or c) what other?
Hi Richard:
Holy Cow you’re right—I totally missed that one. The super-lightweight laptop stand is the Lizell QuickStand Workstation Plus, which I bought from at Skymall.com for $139 Thanks for catching that—I’ll add it to my gear guide right away.
As for your second question; that sounds like a job for Photoshop. For really nailing that paper warmth, you might need more than just a tint control, plus it might make things a bit harder to do using Lightroom’s two sliders (one for Highlight and One for Shadows), because you’ll be constantly trying to balance the two. I like the idea though–let me know if you’re able to nail that tint (and I think you will be able to).
Also, thanks once again for being a part of my LA Lightroom Seminar.
All my best,
-Scott
Hi Scott,
I have spent the entire morning glued to your book and my computer getting my Lightroom Library organized. I patiently awaited the release of your book before I jumped the gun and imported all my photos, knowing full well I would find a more intuitive and efficient way in your book. Your books are invaluable and I love your humor. It reflects a light hearted approach to something that could be very daunting and scary for those of us who are not techno savvy and are easily intimidated. Thanks for making it fun and, most importantly, easy to follow along!
Marcy
Scott–
Thanks for signing my copy of Digital Photography and for the traffic to my site. Loved the seminar and am looking forward to Photoshop World in September.
Veronica Lynne
You mentioned in the blog a while back that you were making a training vidio on the Scott Kelby lighing kit at B&H. Do you have a date when you will post it?
RB Clinton
Dear Scott:
So many thanks for the link to : a touch of Glamour. (http://www.touchofglamour.com/Photo_Retouching.htm) Really great site!!
Now I’m thinking. (I do that on occasion). Hey wouldn’t this be GREAT to have a “How they did that” in Photoshopuser mag. I personally, and I think many others would LOVE to learn how to do a great retouch job on the skin, eyelashes, eyebrows, and eyes via glamour models. Would it be possible to have these techniques included in your wonderful mag, or better yet, a DVD (so you can make some bucks for your efforts)… Hoping you think its a good idea.
PS: Reading my new copy of Adobe Lightroom book, as always your books are fantastic, fun to read, easy to follow, and great layout and a must have reference.
Scott – Somehow I just knew you were going to stumble across the one post where I diss your sense of humour. LOL. I should clarify – what I really meant was that your humour (which, by the way I find mostly right up my alley, and I spent twelve years as a professional comedian) comes off better in written form than in the glimpses I get on Photoshop TV. Video is a relentlessly bad conduit for comedy, and video without a live audience is even harder. Ok, there’s no way I’m getting out of this one…let me leave it at: you’re a very funny writer and comedy aside you remain one of my inspirations and teachers-from-afar.
Thanks so much for the kind words about my photography – more meaningful in light of the indiscreet way I voiced my opinions about your Rockin’ the Houseki gag.
Hoping I’ve covered my ass but if not please insert adequate apologies and grovelling and send me the bill.
-d.
Hey there! I really enjoyed the seminar and got a lot out of it. The first little bit was tense with that annoying guy – but I thought you handled that masterfully. Personally I liked you going through the shoot and explaining what you were doing – maybe it wasn’t specific to Lightroom but I thought it was a good package deal – plus it was clearly spelled out in the class outline so I was expecting it.
Just as in the other class I took from you I got a lot of little things that really helped. I was kind of hoping you would go over something similar to the LAB apply image trick and I think the vibrance was pretty darn close.
I was also really glad you went over the action export thing – I hadn’t thought about that and that opens up a lot of options that I hadn’t considered. I think that is really the key for these classes – you undoubtedly learn something you don’t expect.
Hi David:
That was very kind of you to post something here, but honestly, I’m not the least bit upset at all, as your comments about my humor are, sadly, some of the least mean spirited of all my reviews, so please—don’t give it another thought. I put a post on your blog last night about this very subject.
Besides, how could I be mad at someone who creates such beautiful photography. Please count me among your fans!
All my best,
-Scott
Hello Scott:
I am one of your Denver fans waiting anxiously for you to come to Denver and do your lightroom seminar. Faculty here at the Denver University College of Eduation are working up iPod uses for teachers of Early Childhood Education so I have recommended that they read your iPod book. You should know that the Dean of our College of Education is loving your iPod book – humor is great! Right now I am engrossed in your Lightroom book and I do hope you will come to Denver soon.
Many thanks for an informative seminar in LA.
What was the background equipment you used in the protrait shoots (stand and background?
Thank you.
Hey Scott,
Bought your Lightroom book at PSW Boston. Loving it, and I thought I attend your class in LA as well. Worth every penny.
Great job!
You did a great show in LA, despite the guy who questioned why you were shooting the lovely model as a bride…I guess he did not get the workflow part of the seminar. I ordered your book at the show and should be getting it any day now.
I was hoping that you would be able to put me in touch with your photographer friend that helps you set up the live shoot when you roll into LA. I think his name is Mike. I had a couple of questions for him.
Thanks, and I can’t wait for the next NAPP seminar to come to LA (hopefully a CS3 session).
Dave,
I attended your LA Lightroom tour (and bought the software) and I have been learning to use Lightroom ever since. I am experiencing a problem that I hope you can help me with. I recently shot a men’s fastpitch tournament and for the first time processed a large batch of pictures through Lightroom. I noticed though that some of the photographs (those basically taken in the afternoon and or in the shade) are showing up in Lightroom as if I had taken the picture with a very high ISO (I did not – I used ISO 100). However, when looked at the same picture in ACDSee the picture seems fine and there is a definite difference in the details (i.e. more). I shoot in RAW, used a D200 Nikon with a 300 mm, 2.8 lens on aperture priority. For the most part the pictures all came out good but there is a handful that is having this problem. Any suggestions?
i always love to learn and know more about photoshop and photo retouching
technics , great tutorial .. thanks for the post
GREAT PHOTOS