Scott’s Photography School of Hard Knocks
Here’s a shot [click on it for a larger view] taken shortly after dawn at Utah’s Monument Valley (which is just an amazing place—almost surreal). I’m using this shot as a perfect example of me not following my own rules, and paying for it later. Here’s what happened:
The night before this was shot, Jeff (scroll down two posts), Dave and I went to this cool little steakhouse about 40 miles from Monument Valley, where they cook the steaks outdoors on a “Swinging Grill” (it literally swings back and forth over a huge open flame to grill your steaks). It was a quirky place, with a live country band playing outdoors, and everybody there had a camera, so we were all taking shots of the band, the grill, and the scene. It was a low light situation, so I had to show off to my Nikon-shooting buddies by changing the ISO on my Canon 5D to ISO 1600 and hand-holding for a half-an-hour of shooting while waiting for our table.
The next morning, at 4:00 am as we’re driving toward Monument Valley, I told the guys, “Hey, don’t forget to change back your camera settings from last night’s low light shooting.” Then I told them about an Acronym I use to help remind me to check my most critical settings. It’s WHIMS, which stands for:
- W: White Balance
- H: Hightlight clipping warning
- I: ISO
- M: Mode (JPEG or RAW)
- S: Shooting (Resetting to the right shooting mode for the subject: Aperture Priorty, Shutter Priority, Manual, etc.)
If I remember to check those five things, I’m set, and I reminded them twice during our drive there. Then, when I got to spot where we’d be shooting, it was so beautiful, and I was so excited, I just jumped out and starting shooting. At ISO 1600, at f/4 (the camera settings I used the night before). It wasn’t until about an hour later, after sunrise, that I actually checked my settings and learned that I had been shooting all morning at ISO 1600. My heart sank.
To Canon’s credit—the noise is amazingly low (in fact, I was shocked at how little noise there is), but obviously I would have preferred that it was at ISO 100 (which is the ISO I try to shoot in as much as possible, and since I was shooting on a tripod, ISO 100 would have been ideal).
So, although this is an embarrassing story for me personally, I hope you’ll use it (and my Acronym if it helps), to keep you from making the same mistake I did.
To wrap up: the shot was taken with a Canon 5D, using a 70mm – 200mm lens with Image Stabilization) in Aperture Priority (at least I got that part right), and because of the ISO of 1600, it was shot at 1/8000 of a second. The processing was minimal: In Lightroom I simply increased the Shadow amount (dragging the Shadow slider to the right), and increased the Clarity amount. Then I went over to Photoshop and darked the clouds at the top of the photo a little bit, and ran a Unsharp Mask filter, then saved as a JPEG for the Web.
I had hoped to post some field reports today on some of the equipment I used, but I won’t get one up until Monday. Now, if you kindly scroll to the next comment, for a Friday News Wrap up.




















Scott, can you explain a bit about lens with “Image Stabilization”, ie how one with IS differs from one without IS; pros + cons, etc.
Thanks,
Scott Gilbertson
Louisville, KY
Hi Scott:
I’ll be covering that in my Monday report, but in short: the IS helps keep the camera still, which is particularly helpful in low light situations (like in a church, nightclub, etc.) and lets you handhold and get sharp shots where you normally wouldn’t be able to. Once you use IS lens (from Canon) or VR (from Nikon), it makes it hard to use any lens without it. It makes that big a difference.
Hope that helps.
-Scott
Hi Scott;
I have this lens your talking about “70-200mm” , it’s expensive, but what a great lens!
I also have a Canon 24-70mm f/2.8 L also a nice piece of glass.
Did Canon loaned you this lens “24-70″, if they did, did you get a chance to use it?
Harold Blouin
I recommend putting that photo in your NAPP Portfolio.. it’s sure to win “Image of the Week”
In regards to your high ISO shooting, would it be safe to say that at ISO 800/1600, the Canon’s produce far less noise compared to the D200?
I’m a Nikon shooter myself but can’t justify switching over to Canon just on the sole reason that Nikon encrypts the Custom White Balance which forces me to use Aperture/iPhoto so that I can export to PSD. While if the Canon’s produce far less noise, I might consider putting my D200 and Nikkor lenses on E-Bay
Scott,
While not related to this topic, I thought you might enjoy this site. It features some amazing before/after retouching work:
http://www.iwanexstudio.com/
Hi Scott,
In all of your books and on PhotoshopTV you’ve always been a big Nikon user. I was wondering when you changed to Canon, (if you have) or are you just trying out the 5D, which is a fantastic camera by the way as Im sure you’ve discovered.
Thomas
Scott, I have certainly made the same type of mistake and I like your tip. I’ll remember that. I have a start-up ritual whenever I power up my camera. But like you, I sometimes get excited or get in too big of a hurry and don’t do it. While I make more than my share of photographic bloopers, I dare say most of them are caused by just that – getting in too big of a hurry. Maybe we should always count to 10 (or 100!) before we reach for the shutter.
The photo of Monument Valley is still a winner. While you can think, “Oh, if I had just done this or just done that!”, the photo is a big success because it communicates! I don’t look at it and worry about noise or depth or field. I just see the beauty of the place and that wonderful mood the photo conveys. ISO or not, its a keeper…. bigtime.
Cheers
Rick
Scott,
You where shooting a 5D? I thought you shot Nikon. “Scott’s Gear” shows a table full of Nikon equipment. Glad to see you shooting Canon.
Matt
Hey Scott WHIMS is a great idea! Never head of it before but I’ll definitely be using it now. I think I saw that steakhouse on food network one day. Pretty cool.
Hi Scott, awesome photo. By the way, on my way to Photoshop World 2007, my wife and I will spend a few days around Page (Antelope Canyon) and Kayenta (Mounument Valley). I actually heard about that Swinging Grill place, what is its actual name and where is it located, I may want to drop by.
Don JJ C
Scott,
Wanna trade? WOW…….
Hi Scott,
I know that feeling all to well. Just the other day I went to a servicepoint to get my camera checked. When I got it back, all was fine. Next sunday I was outdoors and saw some pretty picture opportunities. I grabbed my camera and started shooting.
It wasn’t until I got home I discovered the following. I was shooting in JPG (luckily the highest quality) at ISO 400 (it was a bright and sunny day). Imagine my surprise when I transfered the images to Lightroom.
I guess the service point changed the settings so they could test some things (I suspect sensor cleaning). Now I check all the settings before leaving the house.
Haha! I knew you’d switch eventually. Now if you could just get all those pompous Ritz employees to see the Canon light…
It now seems that every photographer has to go to some kind of photoshop to get the image they want and can’t seem to make the image with just the camera..Buncha BS if you ask me.
What’s your point, Jim?
The man took photos with improper settings, but knew he had some good shots. He ’salvaged’ them with software. How is that not okay?…The only “BS” here is your curmudgeon-like attitude towards the programs used to process said photos.
And every negative needs a darkroom……
Should you get it right in the camera? That’s a self evident truth. I would like to believe that you can’t just make an image with a camera, the camera requires a photographer. The more that photographer knows about how it all works the better that photographer is at getting the image that is the reflection of what they felt when they were so moved that the picture took them. It doesn’t matter how that image became what I’m looking at it matters that the image I’m looking at moves me the way it moved the heart of the person who shot it. Photography is a street fight….no rules
It’s the mark of a pro to be able to goof up so completely and still come away with a totally awesome photo to die for…
Thanks for sharing your “human story.”
kk
Hi Scott
. A few weeks ago i ruined one of the most beautiful sunsets i’ve ever seen because i was still on ISO1600 (and my D50 ist quite more noisy…)
It is good to know that an absolute professional like you can still make the same mistakes like myself
But anyway, still an awesome picture!
Greetings from your biggest fan in switzerland
Mike
What a BEAUTIFUL place!!!~~~~~~
Scott, hope you don’t mind me ‘jumping in’ here but I find it quite shocking that someone feels they can enter into a blog and make such comments as Jim above.
Jim if you’re reading this then please note that the sub title of this blog is “scoops, tips and comments published exclusively for personal friends of Scott Kelby”. Could I ask that if you do have quite negative feelings that you feel you need to voice in such a way, you take them elsewhere.
Vince … you d’a man!!!
This shot was an “accident”? Man!!! I bought your book on using digital cameras, and I can’t get a picture to look this good on purpose. I will say that while the book does give great tips for setting up the shots (what you’re composing in the shot), it really does make a difference whether you own the “good” stuff, or a “point-and-shoot” camera (ie. can’t really add decent lenses on a Canon “A” series camera, can’t get past f8.0, etc). I’m not a basher, really. I guess I just wish I had a more adult camera so I could apply all these cool techniques you show in the book. Sigh …..
Hi Scott, Love your Monument Valley shot that light was so good no wonder you forgot to re set the asa. We stayed at Goldings so that we would get the sunrise in the valley without having to travel many miles, well that was the plan all went well till we got to the car and found that we had a flat tire in the Ford Explorer. That was the end of the sunrise images and it was a good sunrise that morning but thats the way it goes for us photographers. But the up side was that we had the whole valley to ourselves that day, this was just a few months after 9/11 so nobody was out travelling, a horse ride in the valley only cost us $27.00 for 2 people for over 2 hours. You like us will have to go back some day.
Scott: The WHIMS acronym is great and I used it a lot on the trip I just took.
Based on my experience, I would extend the acronym to be:
WHIMSE (like “whimsy”)
E: Exposure compensation.
I found that on my Nikon D80 when I change the exposure compensation, the selection sticks between shots (which is fine default behavior). I found that I needed to check that the exposure compensation was reset to zero or appropriate to the shot.
Thanks for the great tip and for the Digital Photography book. It was a godsend just before my first big shooting trip with the new camera.
Cheers, David.
Hello Scott,
I like what you took a picture of, i’ve been there-actually i live there. I did alot of pictures lately and thats what i like to do. Thanks for the tip. =)
since I prefer to use the Manual mode for my camera, I use the ISAW rule :
I stands for ISO
S stands for Speed
A stands for Aperture
W stands for White Balance
hope this will help you all.
good photos