Food For Thought From One of Today’s Hottest Photographers

I read a really fascinating article in the November 2007 issue of “Digital Photo Pro” magazine, about photographer and Photoshop retoucher Gary Land. He is just an absolutely amazing celebrity and sports photographer who captures the biggest stars for everything from Rebok ads to editorial spreads in the biggest national magazines, and he is definitely “the man in demand.”
Land has created his own trademark look, which incorporates some absolutely brilliant compositing techniques, which combines detailed planning in the shooting stage (including meticulous lighting), and some serious Photoshop skills in the darkroom. But besides an enlightening article on his work, he said a couple of things in the article that I thought were worth sharing. He shoots 99% of his work with a digital camera, but sometimes the client specifically requests film, so he obliges, but here’s his quote about film:
“I love film, but it’s a pain in the ass, because you’ve got to shoot the film, change the film, you’ve got to process it, you’ve got to scan it. It’s just a pain, and it doesn’t look as good in the end. It really doesn’t.”
But what really caught my eye, was his comment about printing resolution. He said:
“I got into a fight with a printer company rep the other day. I’m like, ‘I’ve printed this stuff.’ I print all my files at 150 dpi. He said, ‘You’re crazy.’ I said I am not crazy. I’m telling you there’s no difference, and I do these tests all the time. I can print one of my files at 150 and the same file at 300 [dpi] and it’s the exact same look. Take a magnifying glass and it’s the same. 150 is awesome.”
He goes on to say,
“That’s a little secret I think. I like printing at 150 [dpi] it just looks much better.”
I’ve subscribed to his “less resolution is more” theory for more than 10 years, since the brilliant Photoshop and prepress magician Doug Gornick showed me the light. Doug was printing everything at 144 dpi. He said the print shop will always argue with you that it can’t be done, but they’re always amazed with the results. I saw Doug’s results again and again, and the proof was in the pudding. To this day, I feel the “use only 300 dpi for print” line is another one of those Photoshop myths that may have been accurate (or just plain simple to pass on a general rule), years ago, but I personally don’t think it’s really relevant anymore. But hey, that’s just me.
Stop by and check out Gary Land’s amazing work (much of which is composites of the athlete or celebrity being shot in 15 minutes or less on white seamless, and then is composited seamlessly with a separate background in Photoshop afterward), at his site (click here to jump there).
You can read the feature article on Gary from Digital Photo Pro’s Web site (click here to read it online).



















I have always thought it significant that the Lightjet printer at the lab prints everything at 150DPI !!
Eliot Cohen, who teaches Photoshop to everyone in the D.C. area, including government, teaches that 140 dpi is plenty.
Hi Scott,
This is a good lesson to learn. I have always heard 300 print 72 for web. I sure have a lot more to learn.
Hope you and your family had a great holiday yesterday. I know we did here in Oklahoma.
See ya,
Mike
Great article!!!
Gary Land is truly inspirational, his website kept me looking for hours!
Thanks for the great link!
- Jeff
Scott,
can I assume the printing you are referring to is that of the inkjet or lightjet variety as opposed to 4 color commercial press work. Surely Photoshop User magazine images are not 150ppi?
Hi Scott
Just to clarify, are you are talking about the photoshop file at 150ppi not the line screen ruling on the printing press, right? There always seems to be this confusion between dpi (printing press dots per inch resolution) and ppi (pixels per inch)
Thanks
Rob
I read this too…great article and I agree…a very talented and visionary eye. He is a perfect example of how it’s not the camera that takes the picture!
I guess that explains the subject popping out from the background effect that most of his images have. Nice one.
Thanks for the link to the article Scott. It was definitely a good read.
Page 6 of Gary’s portfolio is awesome with all the behind the scenes shots. The way he lit the soccer, car, and school bus shots was really cool!
Thank you Mr. Kelby for all the information that you provide us. I do have 1 question concerning filters. Of all the companies that manufacture filters, could you rank the companies according to what you personally use and recommend to be of the best quality?
Tony
Hi Scott,
Just wondering how they get that effect in there images. A gritty look, do they use photoshop filters, like the high pass filter?
Its really cool looking. Would you have any tutorials on that subject at Napp? Thanks for your help! I like Garry Lands Work.
Mike
Hi Scott,
Thanks for a great blog. I always learn a lot from it.
I am to wondering about this effect of color in the pictures. It is something I really would like to learn but have no idea how to get there.
Hi Scott,
I have the same question as Michael (above). I have been searching NAPP and the internet for a tutorial on how to get the effect that Gary gets with his photos (that “cartoon” look). Dave Hill is another photographer that has a very similar look to his photos. Is the method secret? Can you, Dave Cross, Matt or Corey dive into that secret world for all of us and teach us the effect?
Your blog rocks, Scott….it is part of my daily reading. Thanks for everything.
Cheers,
Scotty
Scott,
Always enjoy reading what you have to say about the digital photography arena. I too read the article about Gary Land and was excited about his rendering of the subject in a true grit style. I am a retired public school photograpy teacher currently shooting with a Fuji S2 pro. I am mentoring adult photographers and currently am working with a gentleman who is shooting ice hockey. I would love to be able to advise him on how to achieve that “gritty” look. What is the Photoshop technique, filter or plug-in?
Thanks for your ever present humor and vast information that you share.
Sincerey,
Michael Dalton
Not sure if you are still checking this but thanks for the props. I found this page online and thought I would drop a line. Still printing at 150dpi and loving it.
G
Fantastic article.
I have some artwork going into a book I am publishing which is set at 150dpi (the artist couldn’t get me files any higher than this). I was thinking I may have to drop that artwork (I have plenty of spare 300dpi pieces on hand… but I’ll now give the 150dpi stuff a try.
Cheers,
Jonathan
Great article Scott, I always enjoy reading your blog. Keep up the great content.