Thursday News Stuff (and another Embarrassing Photo, or two)
Happy Thursday everybody!
First, it’s Thursday, and it’s time for an embarrassing photo or two from my massive archive of embarrassing imagery. I debated about posting this one, not because I apparently had only one single “look” back in the mid-80s (the thrift store sports coat with the sleeves rolled up, a white shirt with a skinny tie, jeans and sneakers), but because it was taken on top of New York City’s World Trade Center. The Trade Center is a very emotional symbol for us Americans (it was even emotional for me when I saw it again), but this photo, taken by my brother Jeff, is also a part of the visual history of my life, and so I thought I would run it in memory of a wonderful day spent in one of my favorite cities, and as a tribute to 9/11 and to New Yorkers everywhere (my folks were raised in NYC).
If you look at the photo, you’ll notice I’m sporting a very cool ‘film shooters” accessory—a camera strap that holds film canisters, whose contents eventually made their way into my Pentax SLR. You can also see my shopping back with goodies from the NBC Studios tour we took earlier that day.
This 2nd photo (above) was taken later that same day, also by Jeff, in front of One Liberty Plaza; the headquarters of Merrill Lynch, Pierce, Fenner & Smith (I was working for Merrill at the time as a Financial Consultant). I’ve really got to come up with a new look; it’s been 20-something years and all that’s changed is I don’t roll my sleeves up, I’ve lost the tie and traded my white shirt for a black one.
Before we get to the news: let’s throw up our “rock hands” for Scott Diussa’s kick-butt blog post yesterday. I was going to give him the award for the longest special guest blog post, but instead I’m going to give him the award for the “Longest special guest post that I couldn’t stop reading” award. What an amazing life Scott has led, and the range of what he’s done in the world of photography is inspirational just on its own. Thanks Scott for a really wonderful read, and some classic images (plus, I’m a sucker for the dueling guitars).
Now, onto the news:
- RC’s Got Everybody Talking (Arguing) about HDR
RC Concepcion did an excellent post over at Layers Magazine, called “Why does HDR bring out the best/worst in you as a photographer” and it’s getting more and more people talking about it every day (even though he wrote the post a few weeks ago). As you might expect, people are on both sides of the HDR fence, and it has started some pretty lively debate (and that’s being kind). Here’s the link to join in the fun. - Photoshop Curves vs. Levels Use
- Matt, Dave and I had lunch together today (yes, we do everything together), and we somehow started talking about a topic I discussed here back on March 6th (here’s that link) about The Diminishing use of Curves in Photoshop for color correction (thanks to Camera Raw). I ran a reader poll then asking how your use of Curves has changed, and 60% of you indicated that you either use Curves somewhat less to a lot less and 21% said you don’t use Curves at all (that means 81% either use it less, or not at all).
None of the three of us were surprised at those results, but what did surprise us was that all three of us are now using Levels more and more when we need a quick contrast tweek. Why Levels and not Curves? We all agreed—it’s just so quick and easy. So, I’m curious; do you find yourself using Levels more today than you did two years ago, or are you using Curves to create contrast instead?
- Topaz offers NAPP members a 25% discount on any plug-ins
Larry Becker saw my review of Topaz Adjust last week, and he comes by my desk today to tell me that NAPP members now get a 25% discount on any plug-ins they order from Topaz (not just Adjust). If you’re a NAPP member, click here to get the discount code. - McNally’s One-Day Lighting Seminar is going to sell out!
I just saw the figures today on the sign-ups for Joe McNally’s new one-day location lighting workshop that we’re producing (at Kelby Training), and although it’s more than a month and a half away (July 31st in San Francisco), it’s already outpacing our upcoming Lightroom and Photoshop seminars in New York, Chicago and a half dozen other cities we’re going to. In short; it looks like it’s going to sell out in advance, so if you want to go, I’d go sign up right now (here’s the link). - Quote of the week
“I’m lucky if I get to spend more than 20% of my work-time actually photographing.“
–PAUL BURWELL (here’s the link to read the story). - Some Thursday Photographic Inspiration
I ran across the site of photographer Greg Sims, and I have to say; I love this guy’s look. He does have a very HDR-style look that he goes in and out of, so there’s a lot of post in his shots and although not everybody digs that, I think he’s got a nice marriage of great photography and great post production. Got a minute? Check him out right here. I also found architectural photographer Melissa Castro, and she had some images I was really drawn to (I particularly love her intro page shot, but she’s got some other real gems in her portfolio as well). I love her clean graphic style, and if you’ve got a minute, give her stuff a quick look, too.
That’s it for today folks. Have a really great day, and I’ll see ya tomorrow!





















Well, I for one am glad you posted the pic. To me, photos of New York that include the WTC are a classic icon of American achievement, beauty and now resilience. Plus it’s nice to see a real vignette in a photo, you don’t see those anymore!
I use LR to do all the color/contrast adjustments, but levels more than curves for a final quick tweak before print if I don’t print from LR.
Hmm, do you think you will be posting “embarrassing” photos of you from back in 2009 in twenty years? Makes you think a bit huh?
Hi
I’m still a curve user, I tend to adjust a majority of my images in Lab after initial processing in Lightroom, so curves work great for me.
With regards to Levels I wish Lightroom had the same Levels adjustment options as Capture One and Aperture.
David
Great, iconic shots of you Scott. I agree with David Baker, I hope LR gets better level adjustment options in the future – in the mean time, I still use them in PS but less and less as my LR workflow improves (he says, optomistically
)
Haven’t touched curves in a while…mostly levels, but just like others have said as my understanding of Lightroom improves, I do less and less adjustments in PS.
On another note..Scott…how about showing some of us locals some love (Tampa area) and bring some of those kick butt classes (Like Joe McNally’s, Lightroom, etc.) over here to your hometown? Heck, even Orlando….
Great job on the blog and overall, you’ve been my source of Photoshop training since you first started and your office was over a bank in the Dunedin area.
Cheers,
Chris.
I’m using Curves in PS more and more lately, especially since CS4 made scrubbing easier, and I discovered the joys of Lab colour-space.
I have a similar photo from WTC, but without the skinny tie. I sure am glad we made that trip and took photos from the WTC. Like other posters, I sure wish Lightroom had a Levels adjustment. I am in the process of converting from Aperture and the lack of Levels adjustment in LR is something I miss from Aperture.
Levels or Curves? Honestly, I use levels for contrast changes because it’s something you taught in a Kelby Training video for CS3 (I think) and it worked much better than using a Contrast slider. Being a fairly new user of Photoshop, I never really learned too much about using Curves. However, I do like the feature of Curves in CS4 where I can basically pick a point and mouse-up or down to adjust the image. That may lead me to use Curves more now.
I still have much to learn, though. In the mean time, I think I rely more upon features in NIK or OnOne plug-in suites than doing things myself in Photoshop.
Thanks for the photographic inspiration, – really great stuff.
I am not a fan of photography websites that take over my entire screen with slowly loading images. It’s not that the photographer’s work isn’t worthy of being presented in this manner, it’s just presumptuous (to hijack the screen and assume the amount of time/patience someone has to wait for images to unfold).
…maybe it’s just me, but if I have a list of 15 photographers to consider, I’m going to appreciate the photographer who helps me out with an overview of their images so I can narrow the list quickly.
Re: Levels or Curve.
I use the Threshold/Curves technique you showed us in your “7-Point System for Adobe Photoshop CS3″ book – which I find indispensable. I use levels if I want to make a broad change to mid-tone contrast. Both are great tools in my post-production kit.
Have a great Thursday.
Regards,
MikeV
About Levels. When I first started using Photoshop (version 3) i tried using the contrast and brightness adjustments. They were mostly useless. Curves was beyond my understanding at the time. I found levels created the contrast I wanted. Sounds a bit like the three bears… I digress. Either way I have always used levels form making contrast adjustments, still do on occasion.
I’m a total amateur here and have recently discovered curves and levels. I tried working with curves first, but I never quite “got” it. Then I tried levels, and that was really easy, so that is why I use levels. By the way, I use Paint Shop Pro, but none of their books really explain the use of levels and curves, but your book on Elements explained them beautifully! Reading your book on Photoshop has done more to help me understand PSP software than any PSP books or tutorials. Thank you!
The more I learn Dan Margulis’ approach to color correction, the more I use curves in order to do channel by channel correction, which cannot be done in CR.
Well yes it will sell out. You need to schedule more in San Francisco (forget Atlanta, Boston, Dallas, etc). I am still waiting for your LR seminar!!! (I guess that is so over by now ; -)
YES BOSTON, BOSTON, BOSTON!!!!!!
I use curves in virtually every image I work on, whether or not it came from LightRoom/CR or from a film scan. Simply no better tool for subtle adjustments. As an Adjustment Layer, with layer mask editing and a Wacom stylus, it’s a jack-of-all-trades tool.
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Since the probe can either image or scrape, but not both at the same time, the scientist is blind while manipulating the surface with the micro- scope probe. ,